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1877 Wm. Johnson and Son Released for Hauptwerk 7+

It came to my attention in 2022 that the convent at Our Lady of Good Counsel in Makato, MN was closing, the sisters were all moving to a nearby retirement home together in Shakopee, and the property was slated to be put up for sale. Charlie and I both have a soft spot for preserving the sound of historic instruments in their natural surroundings, so I got in contact with Sister Lucille in the summer of 2022 to see if it might be possible to sample the historic 1877 Johnson organ and preserve the sound. After a number of emails and a trip down to see the organ and site, we came to an agreement. Once word spread around to the sisters, there was joy and excitement as they realized something of this special place would be preserved. I traveled down from the Twin Cities in early October on a Sunday afternoon, and began the 2-day process of sampling the instrument. I was struck by the unique beauty of the organ, especially the Johnson patent reeds (I’ve never heard anything like them!)

We sampled in 24-bit 96kHz, 4 perspectives – Direct (in the balcony, about 8-10 feet from the façade, 2 large-diaphragm cardioid condenser mics) Ambient (about the same distance from the pipes as the console, 2 flat-response omni condenser mics) Diffuse (at the foot of the altar steps – Sister Lucille’s “favorite spot” to hear the organ – 2 Earthworks QTC-1 omni condenser mics) and Remote (almost as far away as you can get from the organ, behind the altar in the chancel – the built-in mics of a Zoom H6). Impulse responses were captured in the gallery, the L and R transept galleries, and the chancel – a total of 12 separate files. The remote perspective proved inferior for a number of reasons (not the least the fact that the reverb at that point is so long that we had many overlapping notes), so we settled on the other 3 perspectives, which came out in amazing detail and clarity.

We are excited to share this instrument – it is a not just a vital historic document, but also an exciting instrument to play. While we can never completely and perfectly emulate the real thing, we think it is the best quality we’ve done so far.

Stop by HERE and see some further pictures, hear some demos and find links for purchase.

Jonathan Orwig and Charlie Raasch